<\/strong><\/p>\n So, for this the forum I want you to think about the relationship of science fiction to religion. What role does it play as metaphysician, prophet, or icon? How do you count for its huge popularity? You are free to use any examples of the genre. You might want to think about such movies as 2001: A Space Odyssey, Star Wars, Mission to Mars, Contact, The Matrix, X-Men<\/i>or, such T.V. shows as The Twilight Zone, The X Files, Lost, Terminator<\/i>and\/or Star Trek<\/i>, among others. How does you selection reflect the genre? In what ways is it undergirded by or reflect religious paradigms? The Wikipedia Article on Science Fiction Film (Links to an external site.)<\/span>Science Fiction<\/i> and Religion<\/strong><\/h1>\n
Paul Davies observation that \u201cscience is now in the position of telling us more about God than religion\u201d raises some interesting issues. One possible reaction would be that when science can tell us about God, it is hardly distinguishable from religion. Certainly religion has long employed images and speculations which very much anticipate, parallel, and influence themes found in science fiction. From the journeys of Gilgamesh to the nuking of Sodom and Gomorrah, from the “spacecraft” in Ezekiel to cataclysmic apocalypses envisioned a thousand times over, religion and science fiction merge to form imaginative scenarios of the origins, proclivities, essences, possible futures, and destinies of mankind. Explorations of what it is to be human are juxtaposed with alien encounters or Artificial Intelligences aspiring for meaning and identity. In the recent remake of “The Day the Earth Stood Still” humanity stands in judgment for its near technological eclipse of the balance of nature whereas in the original version it was the entrance into the Nuclear Age and the creation of the Atomic Bomb that brought the extra-terrestrial scrutiny. From Jules Vernes’ techno-future forecasts to H.G. Wells self-experimenting scientists defying nature, Isaac Asimov’s robots longing to be human, Ray Bradbury’s moralizing fables, Kurt Vonnegut’s social satire and humanist wisdom, Phillip K. Dick’s social\/political critiques, William Gibson’s cyberpunk, buck-the-system counter-cultural anti-hero heroism, Neal Stephenson’s intricate post-cyberpunk baroque-like inter-weavings of history, technology, linguistics, philosophy, and religion to myriad multiple varieties of themes and variations scattered across a vast spectrum of contemporary science fiction writings.<\/strong>
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